April 2014 Archives
Holstius, D. M., Pillarisetti, A., Smith, K. R., and Seto, E. Field calibrations of a low-cost aerosol sensor at a regulatory monitoring site in California, Atmos. Meas. Tech., 7, 1121-1131, doi:10.5194/amt-7-1121-2014, 2014. Supplemental Material.
Well-written and well thought piece on some of the challenges surrounding climate change from Naomi Klein in The Nation:
Another part of what makes climate change so very difficult for us to grasp is that ours is a culture of the perpetual present, one that deliberately severs itself from the past that created us as well as the future we are shaping with our actions. Climate change is about how what we did generations in the past will inescapably affect not just the present, but generations in the future. These time frames are a language that has become foreign to most of us.
This is not about passing individual judgment, nor about berating ourselves for our shallowness or rootlessness. Rather, it is about recognizing that we are products of an industrial project, one intimately, historically linked to fossil fuels.
And just as we have changed before, we can change again. After listening to the great farmer-poet Wendell Berry deliver a lecture on how we each have a duty to love our “homeplace” more than any other, I asked him if he had any advice for rootless people like me and my friends, who live in our computers and always seem to be shopping for a home. “Stop somewhere,” he replied. “And begin the thousand-year-long process of knowing that place.”
That’s good advice on lots of levels. Because in order to win this fight of our lives, we all need a place to stand.
British Pathé, the U.K. newsreel archive company, has uploaded its entire 100-year collection of 85,000 historic films in high resolution to YouTube.
The collection, which spans 1896 to 1976, comprises some 3,500 hours of historical footage of major events, notable figures, fashion, travel, sports and culture. It includes extensive film from both World War I and World War II.
Naturally, I looked for some videos about smog, air pollution, and the environment. The Archive doesn’t disappoint. There are pieces called “The Smog Menace”, “Smog Detector”, and a documentary called “Guilty Chimneys” (part 1 + 2, part 3).
There’s a lot of fascinating stuff in the archive beyond smog and air pollution. Pretty cool.
Hard to say if this is real or not, but booksellers claim to have found a dictionary used and annotated by Shakespeare. They’ve digitized it and made it available on the internet (requires registration).
In simplest terms it goes as follows: with Baret’s Alvearie we are faced with a book that has not once been reprinted since 1580. A most obscure book. A humble copy. An extensive network of annotations that, through obscurity and a lack of attention, comes to light only now, never previously studied or speculated upon. These are the basic stepping-stones to providing plausibility to the dream that such a monumental discovery is possible. The rest is in the evidence.
Continuing the trend of Wes Anderson related posts, I noticed the following in Fantastic Mr. Fox:
and we know about this in The Grand Budapest Hotel:
What (or who) the hell is a Klubeck? Screen Forever tells us that Rich Klubeck is a Partner at United Talent Agency… and that one of his clients is Wes Anderson:
Rich Klubeck is a Partner in the Motion Picture Group at United Talent Agency in Los Angeles where he has worked since 2003. Rich’s clients include Joel and Ethan Coen, Wes Anderson, Angelina Jolie, Ewan McGregor, Uma Thurman, Mike White, Scott Z. Burns, Drake Doremus, Lynn Shelton, Juan Carlos Fresnadillo, Paolo Sorrentino, Nicole Holofcener, Craig Gillespie, David Mackenzie, Miranda July, David Michod, Mike Mills, Dror Moreh, Sam Gold, Sergio Sanchez, Ziad Doueiri, and Fatih Akin. He also represents leading video developer and publisher Electronic Arts.