Posts tagged “maps”
As part of their Ideas of the Week series, the New Yorker mapped craft beer breweries and other beer related statistics. The interactive maps are particularly fun to play with.
As of March, the United States was home to nearly two thousand four hundred craft breweries, the small producers best known for India pale ales and other decidedly non-Budweiser-esque beers. What’s more, they are rapidly colonizing what one might call the craft-beer frontier: the South, the Southwest, and, really, almost any part of the country that isn’t the West or the Northeast. The interactive map below, based on newly released 2012 data gathered by the Brewers Association, illustrates this phenomenon and offers a detailed overview of the American craft-beer industry.
Subtitle: Mapping the 2012 GABF Winners Using R
The Great American Beer Festival (GABF) announced its winners on October 13. Lots of amazing beers from all over the US. They have a nifty search feature which lets you (1) find beers from specific states, (2) search by year of competition, (3) search by award - gold, silver, or bronze, and (4) search by keyword.
Like a true beer-loving nerd, I was curious to see which state won the most awards and to look at the geographic distribution of winners. I also needed to learn how to make simple maps using R for some work related stuff. The confluence of curiosity and need got me giddy… and set me to work. Turns out that making simple maps in R is… simple.
More on the details of the process in a few days (along with a table outlining the above data). In the meantime, revel in the beer mecca that is California.
Impressive collages made entirely from bits and pieces of various maps. No painting done on top of the maps, though some minimal inking to bring out certain contrasts. I’m struck by the tones and the obvious deliberation that went into the placement. There’s also something intriguing about deconstructing the geographies of maps to create new visuals.
Matthew Cusick, the artist, in an interview with My Modern Met
I found that maps have all the properties of a brushstroke: nuance, density, line, movement, and color. Their palette is deliberate and symbolic, acting as a cognitive mechanism to help us internalize the external. And furthermore, since each map fragment is an index of a specific place and time, I could combine fragments from different maps and construct geographical timelines within my paintings.
I never paint on the maps. I let the maps be themselves and they establish the palette for me. Sometimes there will be an underpainting that is revealed when I scrape off maps that aren’t working. These areas are never planned though, just happy accidents. I do often paint the sky of a composition a single flat color.
If I need to manipulate the values of the maps in order to achieve richer darks, I use ink, mostly walnut ink that I make myself. This way I am not really adding a new medium to the map, only increasing one that is already there—the ink.