Posts tagged “nature”
A decent journalistic piece in Nature about household energy use and health. My favorite bit, from the one-two punch of Kirk Smith & Kalpana Balakrishnan:
After decades of battling to get people to use improved cooking-stoves, many researchers worry that such devices will never win over consumers and thus never achieve the desired health and climate gains. “My bottom line is that nothing works,” Smith says. “The only thing we know that’s ever worked is gas and electric.”
Balakrishnan makes a moral argument against improved cooking stoves, which still produce harmful amounts of pollutants compared with LPG or electric ones, powered by remote energy plants that comonly use fossil fuels. “Are you justified in saying that it’s OK to be just a little bit better?” she asks. “If it’s OK for 40% of the population to use fossil fuels, then why is not OK for the other 60% of the population? How can we have dual standards?”
Pretty early on Sunday morning, I hit the road to Point Reyes for a 10-ish mile trail run. I decided to explore parts of the Estero trail. Beth and I hiked Estero to Sunset Beach in April — and it was really spectacular. I decided to go a bit south of Sunset Beach to Drake’s Head.
The morning began densely fogged in. Some cows blocked the road for a few minutes. By the time I got to the parking lot, the sun was out; it was pretty warm.
I followed the trail marker through some dense grass that gave way to a sandy trail. It winds by and through one magical patch of forest — and then another. As you emerge from the forest, you can see Home Bay, where you can stand on a bridge and admire various birds in the estuary. Be sure to look down to the rocks, where you may see dozens of crabs scuttling about. The trail continues up to a pretty great view and then meanders, up and down, through some beautiful estuaries hidden amidst rocky terrain and pasture land.
Eventually (2.5ish miles in), you’ll hit a fork in the road that points to a number of destinations — including Sunset Beach and Drake’s Head. Either endpoint is well worth it. I turned towards Drake’s Head. The trail disappears a bit amongst more pasture land. Expect to see quite a few large, mainly docile cows. Arrows pop up every now and then to point you in the right direction.
Eventually you hit another trail marker pointing towards Drake’s Head. Turn down that ‘trail’, and follow the faint path to the beautiful bluff viewpoint. Despite the lack of a formal trail and the numerous bovine companions, the walk is straightforward and the endpoint is visible for much of it.
The views from Drake’s Head are incredible. You can see Limantour Spit and Estero, Drake’s Bay, and up and down the coast. I saw one person on the way to Drake’s Head and two or three on the way out; I had the bluff to myself for the half hour I spent there. A beautiful, solitary hike (or run). One of my new favorites.
In a few days, Japan will mark the 2nd anniversary of the devastating Tohoku earthquake and resulting tsunami. The disaster killed nearly 19,000 across Japan, leveling entire coastal villages. Now, nearly all the rubble has been removed, or stacked neatly, but reconstruction on higher ground is lagging, as government red tape has slowed recovery efforts. Locals living in temporary housing are frustrated, and still haunted by the horrific event, some displaying signs of post-traumatic stress disorder.
Follows up on a similar activity they did after one year. In fact, some of the before shots are the same — so you can see how things looked a year and two years after the devastating disaster.
Last weekend, the Lovehardsteins, ChAriel, Beth and I went to Bear Valley for a weekend of skiing, hot tubs, and some fantastic team cooking led by Ben. I x-country skied, but that’s a story for… never. On the drive back, we encountered a lot of outstanding randomness, including the following:
1) a large number of cows, walking in a straight line, down a path, despite huge swaths of trodable land surrounding them;
2) a boy on a dirt bike, racing parallel to us, in a field;
3) some very, very large birds;
4) a murmuration.
Today, kottke.org coincidentally featured a cool video about murmuration (posted below).
Petur Thomsen, an Icelandic photographer, has been documenting “man’s attempts to dominate nature” and “man’s transformation of nature into environment.”
One set of photographs - his “Imported Landscape” series — is particularly striking. It examines the impact of the Karahnjukar Hydroelectric Project in eastern Iceland.
The project consists of three dams, one of them being the highest in Europe, and a hydroelectric power plant. The dams block among others the big glacial river Jokula a Dal, creating the 57km2 artificial lake Halslon.
The power plant is primarily being constructed to supply electricity to a new Aluminum smelter built by Alcoa of USA in the fjord of Reyoarfjorour on the east coast of Iceland.
The artificial lake and the constructions have spoiled the biggest wild nature in Europe. Making the Karahnjukar project, not only the biggest project in Icelandic history, but also the most controversial one. There have been a lot of debates about this project. Environmentalists are fighting for the preservation of the wild nature while those supporting the project talk about the need to use the energy the nature has to offer.
The best way for me to participate in the debate was to follow the land in its transformation.
Environmental degradation in the name of energy production — even ‘clean’ energy production — is nothing new. Thomsen’s take starkly frames the respective powers of man and nature as antagonists. For me, he conveys perfectly our conflicting senses of nostalgia/loss and awe/control. His photos embody contrasting, awkward meanings of power — electricity, energy, dominion, destruction, beauty.
Via The Fox is Black.
I first saw Baraka in college and was blown away by the imagery and the format — a beautiful 70mm film, silent, relying solely on the power of its images to carry narrative force. It succeeded. The follow-up - 20 years later - took five years to make and was filmed in 25 countries. From the creators’ website:
SAMSARA is a Sanskrit word that means “the ever turning wheel of life” and is the point of departure for the filmmakers as they search for the elusive current of interconnection that runs through our lives. Filmed over a period of almost five years and in twenty-five countries, SAMSARA transports us to sacred grounds, disaster zones, industrial sites, and natural wonders. By dispensing with dialogue and descriptive text, SAMSARA subverts our expectations of a traditional documentary, instead encouraging our own inner interpretations inspired by images and music that infuses the ancient with the modern.
Expanding on the themes they developed in BARAKA (1992) and CHRONOS (1985), SAMSARA explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of man’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, SAMSARA takes the form of a nonverbal, guided meditation. Through powerful images, the film illuminates the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet.
The filmmakers approach non verbal filmmaking with an understanding that it must live up to the standard of great still photography, revealing the essence of a subject, not just its physical presence. SAMSARA was photographed entirely in 70mm film utilizing both standard frame rates and with a motion control time-lapse camera designed specifically for this project. This camera system allows perspective shifts to reveal extraordinary views of ordinary scenes. The images were then transferred through the highest resolution scanning process available to the new 4K digital projection format that allows for mesmerizing images of unprecedented clarity. SAMSARA will be a showpiece for the new, high-resolution 4K digital projection, the HD format, as well as standard digital and film projection.