Posts tagged “photographs”
In the past few weeks, a lot of people have been mining the LoC photo databases for images of public works posters, images of cities early in their development, etc. The archive is outstanding and a lot of the pictures, negatives, schematics, and drawings are available online in multiple resolutions.
I ran some searches for household energy, hearths, cooking fire, cooking stoves, etc and found a number of fascinating results. Many of the pictures from the US were not available online yet - in particular, two libraries of “cooking technologies” from the 1920s and 1930s weren’t around. I’m working on getting access to those through some data request channels. A few that were accessible are below. The majority are from Sikkim and were taken by Alice Kandell between 1965 and 1971. The large one above is supposedly from Jerusalem and was taken between 1900-1920. The seventh one below is from 1908 in Paterna, Spain.
Clearly a wealth of interesting historical information in the archives. Looking forward to further explorations.
Petur Thomsen, an Icelandic photographer, has been documenting “man’s attempts to dominate nature” and “man’s transformation of nature into environment.”
One set of photographs - his “Imported Landscape” series — is particularly striking. It examines the impact of the Karahnjukar Hydroelectric Project in eastern Iceland.
The project consists of three dams, one of them being the highest in Europe, and a hydroelectric power plant. The dams block among others the big glacial river Jokula a Dal, creating the 57km2 artificial lake Halslon.
The power plant is primarily being constructed to supply electricity to a new Aluminum smelter built by Alcoa of USA in the fjord of Reyoarfjorour on the east coast of Iceland.
The artificial lake and the constructions have spoiled the biggest wild nature in Europe. Making the Karahnjukar project, not only the biggest project in Icelandic history, but also the most controversial one. There have been a lot of debates about this project. Environmentalists are fighting for the preservation of the wild nature while those supporting the project talk about the need to use the energy the nature has to offer.
The best way for me to participate in the debate was to follow the land in its transformation.
Environmental degradation in the name of energy production — even ‘clean’ energy production — is nothing new. Thomsen’s take starkly frames the respective powers of man and nature as antagonists. For me, he conveys perfectly our conflicting senses of nostalgia/loss and awe/control. His photos embody contrasting, awkward meanings of power — electricity, energy, dominion, destruction, beauty.
Via The Fox is Black.